sábado, 28 de novembro de 2009

How do you pick up the threads of an old life? How do you go on, when in your heart you begin to understand there is no going back? There are some things time cannot mend. Some hurts that go too deep that have taken hold.

6 comentários:

  1. Caro Pause on Set,

    Os Óscares de Marketing Cinematográfico, iniciativa que pretende nomear o melhor que se fez em publicidade de Cinema no ano de 2009, estão de regresso ao Keyzer Soze’s Place.

    Assim, convido o autor deste blog a expressar a sua opinião em http://sozekeyser.blogspot.com/2010/01/oscares-de-marketing-cinematografico-2.html.

    Desde já, apresento o meu profundo agradecimento na sua disponibilidade para participar nesta iniciativa.

    Cumprimentos cinéfilos!

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  2. All men dream, but not equally. Those who fancy by means of twilight in the dusty recesses of their minds, wake in the heyday to find that it was bootlessness: but the dreamers of the time are dangerous men, for they may dissimulation on their dreams with exposed eyes, to make them possible.

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  3. The prestige of extensive men should every time be leisurely by way of the means they from cast-off to acquire it.

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  4. Setting an warning is not the sheer means of influencing another, it is the solitary means.

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  5. Hi guys,

    What online mags do you read and would recommend?

    For all you rockabilly people out there I recommend The Enough Fanzine. It is one of the first emo ezines on the internet.

    They have throusands of interviews from the most underground bands all over the world. Check them out online: [url=http://www.enoughfanzine.com]Enough Fanzine[/url]. Best of it all, they are 100% non-profit and just helping the scene!

    Looking forward to your recommendations.

    Regards!

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  6. To be a noble lenient being is to procure a kind of openness to the mankind, an cleverness to trust unsure things beyond your own control, that can take you to be shattered in uncommonly extreme circumstances as which you were not to blame. That says something remarkably impressive relating to the prerequisite of the honest compulsion: that it is based on a conviction in the up in the air and on a willingness to be exposed; it's based on being more like a plant than like a prize, something somewhat fragile, but whose acutely particular attractiveness is inseparable from that fragility.

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